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For a complete list of Kevin Glynn’s publications, see

Kevin Glynn is an interdisciplinary scholar whose work focuses on cultural, media, and conjunctural theory and analysis.�� His research and teaching are situated at the intersection of cultural studies, media studies, and critical/cultural geographies, and are centrally concerned with the media-rich cultural environments of contemporary everyday life; with the cultural and spatial politics of media practices, forms, and discourses; and with the investigation, theorization and critical analysis of popular cultures and media as sites of discursive activity, terrains of political contestation, and spaces of affective attachment and identity production. ��He received his Ph.D. from the Media & Cultural Studies program in the Department of Communication Arts at the University of Wisconsin-Madison and has taught in departments of media, communication and cultural studies, American studies, and geography at universities in the US, New Zealand and the UK.�� The core of his scholarship published over the past thirty-five years has examined relationships between popular, media, and political cultures of the Americas and Aotearoa New Zealand.�� Professor Glynn is author or coauthor of four books.�� His latest book, , was published by Rutgers University Press in 2025.�� He is also author of and coauthor of ���Ի���. ��His work has appeared, as well, in many anthologies and leading international journals in media & communication studies, cultural studies, and human geography such as Cultural Studies; Television & New Media; Camera Obscura: Feminism, Culture and Media Studies; Gender, Place and Culture: A Journal of Feminist Geography; International Journal of Cultural Studies; Annals of the Association of American Geographers; Antipode: A Radical Journal of Geography; Communication Studies; Continuum: Journal of Media and Cultural Studies; Comparative American Studies: An International Journal; Geopolitics; and others. ��His work has won awards from scholarly bodies such as the International Communication Association and the New York-based Urban Communication Foundation.�� His recent publications have examined Indigenous peoples’ media practices and globalization; digital media and convergence cultures; intersections between popular culture, politics, cultural citizenship and the media; decolonial struggle in the new media environment; and theoretical dialogues between cultural/media studies and geography.

Professor Glynn cofounded and directed Aotearoa New Zealand's first degree program in Cultural Studies.�� He was the 51���� Primary Investigator (PI) and a member of the Media & Cultural Studies (MCS) research group on a UK Research and Innovation (UKRI) Global Challenges Research Fund (GCRF) Collective Fund Grant (£3.75 million), “Ixchel,” a multidisciplinary research project in Guatemala and the UK that included approximately 40 researchers and partners from the humanities, media production, social sciences, and physical sciences (2021-2025).�� The work of the MCS group included the production of Cordillera de Fuego (Mountains of Fire), directed by Jayro Bustamante (Rita, Ixcanul, La Llorona, Tremors), a major international feature film that will be exhibited through leading festivals and released more widely in 2025.�� Professor Glynn was also PI on a grant from the Marsden Fund of the Royal Society of New Zealand ($800,000): “Geographies of Media Convergence: Spaces of Democracy, Connectivity and the Reconfiguration of Cultural Citizenship,” an interdisciplinary research project that involved collaborators at the University of Edinburgh, the University of California-Santa Barbara, and the University of Texas-Austin.

For a complete list of Kevin Glynn’s publications, see��

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