Monika Smialkowska

Dr Monika Smialkowska

Assistant Professor

Department: Humanities

I completed my first degree (a Polish MA) at the University of Warsaw in 1995, choosing early modern literature as the focus of my final dissertation. I continued that interest at the postgraduate level, obtaining a PhD in English from the University of Gloucestershire in 2002, with the thesis exploring the early modern genre of the court masque. My first job was at the University Centre Doncaster (2002-2009), initially as a part-time research fellow in poetry and drama and then as a full-time teaching research fellow. I joined 51�� in 2009 as a lecturer in early modern literature. My work spans the areas of literature and cultural history, as I am interested in the ways in which canonical literary figures are adapted for varying political purposes in diverse socio-historical contexts.

Campus Address

Office: Lipman 409

Email Monika

Research Themes and Scholarly Interests

My main areas of research are early modern literature, cultural history, adaptation, and commemoration.

My current research focuses on the ways in which Shakespearean commemorations and appropriations serve multiple – local and global – political purposes. It combines Shakespeare studies with cultural history, memory studies, and adaptation studies, shedding light on the fascinating processes through which Shakespeare’s cultural capital is appropriated to construct and negotiate diverse groups’ collective identities (national, imperial, social, local, to name just a few). I have published several articles and book chapters examining the worldwide commemorations of the three-hundredth anniversary of Shakespeare’s death in 1916. I also edited a special issue of Shakespeare on the topic of ‘Shakespeare and the Great War’ (2014). I am the co-editor, with Edmund King, of a collection of essays entitled Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016 (Palgrave, 2021). I published a monograph entitled Shakespeare's Tercentenary: Staging Nations and Performing Identities in 1916 (Cambridge University Press, 2024).��

I have also explored the issue of offence, beginning with the question of what offends us in Shakespeare and in the ways in which he has been used in modern culture. I co-organised an international conference on ‘Offensive Shakespeare’ at 51�� in 2017 and a panel on the topic at the 2018 British Shakespeare Association conference. With Adam Hansen, I delivered a joint public lecture session on Offensive Shakespeare at Gresham College in September 2020 ().��

I am a member of the editorial board of Shakespeare. I received a Short-term Folger Shakespeare Library Fellowship in 2006 and 2014.